This painting began a series that continues to this day. After being introduced to the work of Nathan Oliveria by Jan Field, a drawing professor at Eastern Michigan University, I became fascinated with the way lack of identity opened a door to the viewer. I loved how little it took for a figure to take on personhood. It seemed to happen with color, and led me to dive into a very active technique of both making and viewing my paintings. My work since has been to balance the expressive mark against the immense visual power of the figure, and to offer entry points from where the viewer can play.
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Description from Merchant:
All canvas used is heavy cotton duck canvas, stretched in-studio onto wood stretchers. The gesso used is of high quality, and each painting receives a minimum of three coats to ensure a stable painting surface. Masonite and MDF board are used for panels, and are sealed with the same care as canvases. Archival materials are used throughout the process.
Found object works contain a variety of media. In all cases, I've used a two-part resin to seal objects and protect the surface. All work made to last for decades to come.
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