An early figure study that has stuck with me. It was one of my first attempts to convey the person using texture over detail. The concealment of identity is an invitation to the viewer to fill in the blanks. If Oscar Wilde was correct when he said, "To de fine is to limit", then these figures offer a more universal, expansive view of the person.
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Description from Merchant:
All canvas used is heavy cotton duck canvas, stretched in-studio onto wood stretchers. The gesso used is of high quality, and each painting receives a minimum of three coats to ensure a stable painting surface. Masonite and MDF board are used for panels, and are sealed with the same care as canvases. Archival materials are used throughout the process.
Found object works contain a variety of media. In all cases, I've used a two-part resin to seal objects and protect the surface. All work made to last for decades to come.
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