This cluster series were some of the first non-figurative paintings I've done. Suddenly the light source became the central focus, and the solid foundation that the figure offers becomes much more open-ended. I think in themes of reactors, fusion, and pulses of energy while painting in this series.
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Description from Merchant:
All canvas used is heavy cotton duck canvas, stretched in-studio onto wood stretchers. The gesso used is of high quality, and each painting receives a minimum of three coats to ensure a stable painting surface. Masonite and MDF board are used for panels, and are sealed with the same care as canvases. Archival materials are used throughout the process.
Found object works contain a variety of media. In all cases, I've used a two-part resin to seal objects and protect the surface. All work made to last for decades to come.
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